Terrifying and beautiful, this might well be the best film of 2012.
The director of The Woman in Black and Eden Lake sits down and chats with us about horror, Daniel Radcliffe and 3D.
84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.
Nice film, shame about the voiceover.
There's a mole at the top of The Circus. Can you bash its face in?
A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.
A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.
Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.
Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.
After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.
As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.
A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.
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| Golden Globes - The Pictures |
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| Written by Ivan Radford |
| Monday, 18 January 2010 10:16 |
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There was laughter, there were tears, there were Martin Scorsese's eyebrows. Visually speaking, the 2010 Golden Globes were as arresting as they come - and not just because of James Cameron's giant blue ewoks.
         
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