From Paris with Love is perfect popcorn fodder - dumb, diverting and surprisingly not dreadful.
This cheesy remake of Stanno Tutti Bene makes Tornatore's soppy original look like The Godfather
Nowt special but The Crazies gives you good scares for your money. And a lot of Timothy Olyphant. He's good for your money too
A rousing call to arms, Capitalism: A Love Story shows Moore is still as polemic & provocative as ever
Solomon Kane is small in scale but large in ambition; what it lacks in originality it makes up for with bucket-loads of blood.
With its syrupy score and saccharine script, The Lovely Bones is horribly bloated. It's like having a fat kid sit on your face for two and a half hours.
With a stellar, sincere starring role, Crazy Heart is a gentle and moving piece. Proof once and for all that Jeff Bridges makes anything brilliant. Even Country and Western music.
A Single Man matches its polished surface with a sorrowful and deep undercurrent. Simply gorgeous cinema.
No Moon, no Road, no (500) Days of Summer. But we do have The Blind Side up for Best Picture. I blame Sandra Bullock. For everything.
Miyazaki is a wizard, and he uses the old magics – imagination, wonder and joy.
With fun music and an engaging cast, The Princess and the Frog regains Disney's soul after it was sold for CG farm animals & a shiny Mac
 Well, as the New Year approaches, it's hard not to look back on the past 10 years and come up with a generic blog post about it all. This was, after all, the era when 3-D returned from its immersive grave, a time when Heath Ledger passed away, when Gollum impressions became cool (and then really, really annoying).
|
|
|
