Martha Marcy May Marlene

Terrifying and beautiful, this might well be the best film of 2012.

Review: Acts of Godfrey

84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.

Review: The Descendants

Nice film, shame about the voiceover.

Tinker Tailor Whack-a-Mole

There's a mole at the top of The Circus. Can you bash its face in?

Review: Like Crazy

A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.

Review: Shame

A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.

Review: Coriolanus

Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.

If Newsreaders Did Shakespeare...

Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.

Review: The Girl with the Dragon Tattoo

After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.

Woody at the BFI

As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.

The Artist

A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.

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Tag:apartheid
Director: Clint Eastwood
Cast: Morgan Freeman, Matt Damon, Adjoa Andoh
Certificate: 12A
Trailer

He's played God, the US President, and a countless number of doctors and detectives. It was only a matter of time before Morgan Freeman, a man of immense gravitas and presence, took on the role he was born to play: Nelson Mandela. Effortlessly adopting his mannerisms, physical poise and slow, studied speech, Morgan makes for a sound statesman. It's just his statesman doesn't sound like Nelson Mandela. So every time you look at Mandela, you think one thing: Morgan Freeman.

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