Martha Marcy May Marlene

Terrifying and beautiful, this might well be the best film of 2012.

Review: Acts of Godfrey

84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.

Review: The Descendants

Nice film, shame about the voiceover.

Tinker Tailor Whack-a-Mole

There's a mole at the top of The Circus. Can you bash its face in?

Review: Like Crazy

A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.

Review: Shame

A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.

Review: Coriolanus

Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.

If Newsreaders Did Shakespeare...

Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.

Review: The Girl with the Dragon Tattoo

After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.

Woody at the BFI

As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.

The Artist

A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.

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Tag:doug jones
Director: Joan Sfar
Cast: Eric Elmosnino, Lucy Gordon, Laetitia Casta, Anna Mouglalis, Doug Jones
Certificate: 15
Trailers/Clips

Serge Gainsbourg (Elmosnino), legendary French songwriter and womaniser, grows up in the streets of Nazi-occupied Paris. Not keen on classically trained piano, he soon falls into playing popular bar music, chatting up the ladies as he goes. Sure, he's young, but he's "wise beyond his years", the boy proudly beams at a topless model after his still-life drawing class. It's all fun and backstory for what seems to be a straightforward biopic of the singer. Then out sprouts his alter-ego, stalking through streets and flying through the air. That's when things get very surreal.

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Guillermo Del Toro is a busy man, but not too busy to talk about his latest line-up of work since The Hobbit dropped out of his diary. Asked about his slate at the Saturn Awards, he told Bloody Disgusting he wanted to be cracking something ready for next year:


"I want to be shooting something in May next year, so I need something that's ready to go into pre-production immediately," enthused the portly William of Bull. What that project will be is still unclear, although it might be his take on Frankenstein.


There's no script for the adaptation of Mary Shelley's legendary novel, but Del Toro's confident it's headed in the right direction: "There's been so many versions, and I really believe what we're doing is something new, without changing the novel." So confident is he, in fact, that they've already started with make-up tests on Doug Jones, who would play the monster ("The nuts are something to behold!")


Doug Jones, it seems, definitely won't be doing Hellboy 3 in the near future then. The problem for that one, which is still a few years away, again comes down to the writing: "The Hellboy screenplays are not quick to write. For whatever reason, they end up being very complicated."


Equally unlikely is Del Toro's cinematic version of HP Lovecraft's At the Mountains of Madness, for which he's having trouble getting studio backing. Although that isn't entirely surprising: "It's very difficult for the studios to take the step of doing a period-set, R-rated, tentpole movie with a tough ending and no love story." Despite Del Toro's adamant arguments for Lovecraft's continued popularity among readers (his works are now in the public domain), at the moment it's a no-go for the Pan's Labyrinth director. Which disappoints him quite a bit.


So what will the next project be? "Since it doesn't look like I can do Mountains of Madness, I have now [narrowed down] the projects that I am interested in to three." Not that he'll tell anyone what they are yet - probably because he doesn't yet know himself. Expect an announcement at Comic-Con next month.

 
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