Terrifying and beautiful, this might well be the best film of 2012.
84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.
Nice film, shame about the voiceover.
There's a mole at the top of The Circus. Can you bash its face in?
A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.
A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.
Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.
Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.
After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.
As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.
A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.
 |
|
|
 Director: Hayao Miyazaki Ponyo is a story about a goldfish named Ponyo (Cyrus), who wants to be a human girl in order to be with her true love, a little boy named Sauske (Jonas). Luckily for her, she's also the daughter of a powerful sea wizard (Neeson) and has inherited some of his magic.  Directors: Ron Clements and John Musker When Disney got sucked into CG animation with the rest of the studios, it was looking like the death of hand-drawn stories. Aside from Studio Ghibli, everyone had all but abandoned this beautiful art-form. But lo, even in the wake of Avatar 3-D, hand-drawing has been resurrected by Disney with this joyous New Orleans Jazz fest. Hurrah! |
|
|
|
