Martha Marcy May Marlene

Terrifying and beautiful, this might well be the best film of 2012.

Review: Acts of Godfrey

84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.

Review: The Descendants

Nice film, shame about the voiceover.

Tinker Tailor Whack-a-Mole

There's a mole at the top of The Circus. Can you bash its face in?

Review: Like Crazy

A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.

Review: Shame

A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.

Review: Coriolanus

Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.

If Newsreaders Did Shakespeare...

Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.

Review: The Girl with the Dragon Tattoo

After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.

Woody at the BFI

As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.

The Artist

A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.

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Tag:hunger
Shame review LFF
Director: Steve McQueen
Cast: Michael Fassbender, Carey Mulligan
Trailer
Certificate: 18

Michael junior. Little Fassmember. Magneto’s helmet. It’s easy to get distracted by the carnal knowledge of Michael Fassbender on offer in Shame, but the film is much more than that. Following on from Hunger, Steve McQueen’s second film (co-written with Abi Morgan) is just as bold, equally uncomfortable, and perhaps even more mesmerising.


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Steve McQueen and Michael Fassbender are reuniting in Shame. The pair, who worked together on the incredible IRA prison movie Hunger (go watch it now), are set to do the same for McQueen's second directorial effort.


Shame tells the story of of Brandon, a 30-something who has trouble controlling his love life in New York. But this ain't no Sex and the City: co-written with Brick Lane's Abi Morgan, the aim of the film is to examine the human nature of need, and the way experiences can shape a person's life. Producer Iain Canning gets it, describing McQueen as a director who is "not afraid to turn a mirror on the world".


In short: expect something remarkable from this pair. After all, Hunger went on to nab the Camera d'Or at Canne and Venice's Gucci Prize.


Shame will be touting its business about at Toronto Film Fest this week. It starts shooting in January.

 

Mike Leigh has described Culture Secretary Jeremy Hunt's decision to abolish the UK Film Council as "totally out of order". The announcement from the Department for Culture, Media and Sports came yesterday, shocking both the public and the UK film industry.


"It's very shocking indeed," the Vera Drake director told the BBC. "It's from left of field in a very sudden and devastating way." Leigh's not the only one against the decision, which will see the organisation, established by Labour to to develop and promote British films, completely disbanded. 


The coalition government are putting the move forward as a way of cutting costs. The Culture Secretary said that the aim was to form a "direct and less bureaucratic relationship with the British Film Institute" - the DCMS have stated that the funding of British films will continue, but have released no further details on who would be distributing the money (which is why they invented the UKFC in the first place).

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