Terrifying and beautiful, this might well be the best film of 2012.
84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.
Nice film, shame about the voiceover.
There's a mole at the top of The Circus. Can you bash its face in?
A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.
A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.
Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.
Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.
After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.
As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.
A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.
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 Director: Nimrod Antal "A slightly above-average actioner that tries to compensate for tissue-thin plot with ever-more-grisly death sequences and impressive special effects" - that was Variety back in 1987 on John McTiernan's original Predator. And it's a pretty accurate analysis. Undeveloped characters, non-existent story, over-the-top gore. Step in Robert Rodriguez and Nimrod Antal, ready to give modern audiences more of the same. The result is one heck of a reboot. Remake. Sequel. Thing. |
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