Martha Marcy May Marlene

Terrifying and beautiful, this might well be the best film of 2012.

Review: Acts of Godfrey

84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.

Review: The Descendants

Nice film, shame about the voiceover.

Tinker Tailor Whack-a-Mole

There's a mole at the top of The Circus. Can you bash its face in?

Review: Like Crazy

A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.

Review: Shame

A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.

Review: Coriolanus

Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.

If Newsreaders Did Shakespeare...

Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.

Review: The Girl with the Dragon Tattoo

After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.

Woody at the BFI

As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.

The Artist

A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.

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Tag:john travolta

In a week where everyone was watching the Royal Wedding or sunbathing in the gorgeous outdoors, I knew it would take something special to make me stay inside and continue rooting through the stack of VHS tapes in my attic.


Fortunately, it was something special: Broken Arrow.

 



 

John Woo's 1996 action film has long been confined to bargain bins in newsagents around the country. And unfairly so. Ok, it's no Face/Off - that masterpiece would arrive one year later - but this over-stylised piece of trash is more than just a test run for Woo's English-language skills. It's a big, dumb, exciting thriller.


Plus it stars Christian Slater. CHRISTIAN. SLATER. The manliest man's man that man has ever known.

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Director: Pierre Morel
Cast: John Travolta, Jonathan Rhys Meyers
Certificate: 15
Trailers/Clips

"Every man has his vice. Mine is a royale with cheese." That's John Travolta there, in character as psycho secret agent Charlie Wax, referencing his earlier work in Pulp Fiction. It's either an audacious and brilliant in-joke, or it's just lazy. And depending on your view of that line, you'll pretty much think the same of the whole film. It's from the director of Taken, if that gives you a clue what to expect. And you wouldn't be far wrong. Except that this is far more entertaining.

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Director: Pierre Morel
Cast: John Travolta, Jonathan Rhys Meyers
Certificate: 15
Release Date: Friday 26th February

From the Director of Taken comes a thriller where a government agent’s desire to shine beyond the shadows of his profession comes true when he is paired with his new partner in crime – Charlie Wax (John Travolta). As the two tear through Paris on an anti-terrorism peace mission, our young agent discovers the deadliest weapons are the one we love the most.

 

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It's fascinated scientists and moviegoers alike for decades. People still wake up at night in cold sweat thinking about it. But what exactly is it that makes John Travolta's hair so eye-catching? Is it the silky smooth hyper-conditioned sheen that radiates from it? Or perhaps the fact that it varies so much to reflect his inner mental state?


As John's scalp rears its balding head in From Paris with Love, let's a take a stroll through Travolta's tong-curling hirsute history...


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