Martha Marcy May Marlene

Terrifying and beautiful, this might well be the best film of 2012.

Review: Acts of Godfrey

84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.

Review: The Descendants

Nice film, shame about the voiceover.

Tinker Tailor Whack-a-Mole

There's a mole at the top of The Circus. Can you bash its face in?

Review: Like Crazy

A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.

Review: Shame

A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.

Review: Coriolanus

Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.

If Newsreaders Did Shakespeare...

Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.

Review: The Girl with the Dragon Tattoo

After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.

Woody at the BFI

As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.

The Artist

A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.

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Tag:pellington

Ok, so that headline doesn't make much sense. But director Mark Pellington has indeed signed on to call the shots on New Line's remake of The Orphanage. And the very idea of doing that - announced last year - still takes the 1 2 3. Sure, Guillermo Del Toro is overseeing the translation of the superb (and sad) Spanish shocker, but do we really need to remake it at all?


Del Toro is also co-writing with Larry Fessenden, who will be looking to take Juan Antonio Bayona's tale of a mother missing her lost son in a haunted orphanage and make it scary for all us English-speaking folk. Most of whom would have read the subtitles on the first one anyway - except for Variety, who seem to have misunderstood the plot somewhat. Hopefully Fessenden hasn't, and will include the slow counting hide and seek game, along with the subtle emotional current that flowed through the whole thing.


Still, the really scary part? After helming The Mothman Prophecies and Arlington Road, Mark Pellington went on to direct U2 3D. If that has any relevance to this remake, I'll knock the 1, 2, 3 out of all of them.

 
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