Tamara Drewe

Intelligently titillating, Tamara Drew hides its smarts under a hedgerow of filth. Unassuming, undeniably fun.

Going the Distance

Drew and Justin make sparks fly in this natural, likeable movie. Unlike most rom-coms this year, Going the Distance is worth making the trip to see.

The Last Exorcism

The Last Exorcism blends belief, doubt and humour to produce some seriously scary cinema. Until the dubious ending.

On the Carpet: Going the Distance

We run amok at the premiere with Justin Long and Drew Barrymore...

The Switch

Ill-conceived but entertaining, the year's second sperm donor rom-com leaves no embarrassing stains.

Scott Pilgrim vs the World

Mature, childish and one of the most energetic things ever put on celluloid, Scott Pilgrim speaks to its audience. It says words like: Love. Life. Nintendo. And Canada.

The Girl who Played with Fire

The Girl who Played with Fire slightly dampens expectations, but Rapace's fiery heroine stops the thriller fizzling out.

Brief Encounters: The Last Exorcism

We chat to director Daniel Stamm and producer Eli Roth about religion, possession & bashing cats to death.

An Education: Cinema's Top Syllabus

With kids back to school and education funding cut, what's the best way to educate your child? Cinema.

Salt

With its ballsy female hero and well-paced hokum, Salt is a high-octane burst of pure nonsense. Sequel please.

Bad Science

With The Human Centipede in cinemas, our own Dr Pearson asks if Hollywood’s evil scientists have ever been 100% accurate.

A Link to the Past

Loved Scott Pilgrim's retro soundtrack? Here's Hollywood's best music, 8-bit Nintendo style.

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Tag:robert langdon

It's official: Sony have found The Lost Symbol. Not that it was hard to find - it was sitting on their desk all along. Ever since Dan Brown's book came out, it's only been a question of when the studio would start writing it for the screen.


And so Steven Knight (of Dirty Pretty Things) is on script duty, adapting the third outing for Robert Langdon - sure, Angels and Demons only took $486 million compared to The Da Vinci Code's $760m odd, but that's still enough money to cover Tom Hanks' haircut. Presuming they can convince him to sign on again. Then it's just a case of getting hold of Ron Howard. That shouldn't be too hard.

 

 
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