Alice in Wonderland

Oddly soulless, Alice in Wonderland is an uneven piece of wacky film-making. It should be up there with Lord of the Rings. Instead it's hanging around with Prince Caspian.

The Girl with the Dragon Tattoo

The Girl with the Dragon Tattoo is gripping and unsettling stuff. A cold blast of Scandinavian class.

Shutter Island

With striking shots & reverberating visuals, Shutter Island is a perfectly predictable B-movie. It's just a shame it lasts two and a half hours.

Green Zone

Greengrass is great at asking accurate questions, but Green Zone is better at just blowing stuff up.

From Paris With Love

From Paris with Love is perfect popcorn fodder - dumb, diverting and surprisingly not dreadful.

The Crazies

Nowt special but The Crazies gives you good scares for your money. And a lot of Timothy Olyphant. He's good for your money too

Capitalism: A Love Story

A rousing call to arms, Capitalism: A Love Story shows Moore is still as polemic & provocative as ever

Solomon Kane

Solomon Kane is small in scale but large in ambition; what it lacks in originality it makes up for with bucket-loads of blood.

The Lovely Bones

With its syrupy score and saccharine script, The Lovely Bones is horribly bloated. It's like having a fat kid sit on your face for two and a half hours.

Crazy Heart

With a stellar, sincere starring role, Crazy Heart is a gentle and moving piece. Proof once and for all that Jeff Bridges makes anything brilliant. Even Country and Western music.

A Single Man

A Single Man matches its polished surface with a sorrowful and deep undercurrent. Simply gorgeous cinema.

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One long and tiring week after my birthday, I have arrived at one major decision: I need more Stevie Wonder on my iPod.
With striking shots & reverberating visuals, Shutter Island is a perfectly predictable B-movie. It just lasts over 2 hours. http://3.ly/bB5r
"It's the 1st dress in Woolwich & New Hampstead with a triple pleated collar". How do they ever cop off with such bad flirting? #BrightStar
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RT @DCPlod In Alice, they keep calling the monster a Jabberwocky, but it's a Jabberwock. Jabberwocky's the name of the damn poem - seconded!
Greengrass is great at asking accurate questions, but Green Zone is better at just blowing stuff up http://3.ly/1RPw
Home Reviews Cinema Sherlock Holmes
Sherlock Holmes Print E-mail
Written by Ivan Radford   
Saturday, 26 December 2009 12:42
Director: Guy Ritchie
Cast: Robert Downey Jr, Jude Law, Rachel McAdams, Mark Strong, Kelly Reilly, Eddie Marsan
Certificate: 12A
Trailers/Clips

When the news spread that Guy Ritchie was taking on Arthur Conan Doyle's beloved brainbox, a little bit of fear was understandable. After all, this was the man who brought the world RocknRolla. The only people who weren't scared were the director's devoted fans. Not that their opinion mattered. And sure enough, he's given us a Sherlock sans deerstalker plus bare-knuckle brutality. This isn't the Holmes of your childhood. This isn't even a Holmes movie. This is a Robert Downey Jr movie. And it's quite a lot of fun.


Swaggering along, pipe in hand, Downey Jr owns the streets of period London. And boy does he know it. More cocky than cockney, his crime solver is suave, smart and incredibly silly. Even with the evil Lord Bkackwood (Strong) rising from the dead to take over the world, a playful tone runs through these grimey streets - a welcome touch, which keeps the pace flowing nicely. It should be pointed out that Guy Ritchie didn't write it.


Beefing up the bond between Holmes (Downey Jr) and Watson (Law), the sleuth and his sidekick are more of a couple than anything. Bickering and bantering with well-matched comic timing, their bromance is more interesting than that of Holmes and Irene Sadler (McAdams) or Watson and Mary (Reilly). In fact, neither women have much to do with anything - even Sadler's sneaky double crosser is little more than a plot function with breasts. Mark Strong makes the most of his role as the sinister villain, adding weight to the predictable plot. And Eddie Marsan is excellent as ever as chief of police.


In fact, the cast are Sherlock's real saving grace. Sure, Ritchie keeps the visuals exciting enough (even throwing in a neat play on his trademark slow-motion punch-ups), using wonky flashbacks and nifty production design to conjure up an alternate view of the old capital. But with its predictable plotline and brainless brawling, this isn't quite Holmesy enough to work as a crime thriller - there isn't much crime to solve and while the violin crops up a couple of times, there's little thinking to be had. A shame, really, because Downey Jr definitely has the eccentricity down pat.


VERDICT


Battling bad guys atop Tower Bridge, the all-new Holmes is daring, if not deep, entertainment. Mildly thrilling fun for the 21st Century.

 

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