Martha Marcy May Marlene

Terrifying and beautiful, this might well be the best film of 2012.

Review: Acts of Godfrey

84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.

Review: The Descendants

Nice film, shame about the voiceover.

Tinker Tailor Whack-a-Mole

There's a mole at the top of The Circus. Can you bash its face in?

Review: Like Crazy

A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.

Review: Shame

A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.

Review: Coriolanus

Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.

If Newsreaders Did Shakespeare...

Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.

Review: The Girl with the Dragon Tattoo

After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.

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As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.

The Artist

A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.

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Star Ratings

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Home Reviews 2008 Cloverfield * * * *
Cloverfield * * * * Print E-mail
Written by Ivan Radford   
Friday, 01 February 2008 00:00
alt
Director: Matt Reeves
Cast: Michael Stahl-David, Lizzy Caplan, T.J. Miller, Odette Yustman
Certificate: 15
What is Cloverfield? In short, it’s a giant monster. Where is it from? No idea. What’s its motivation? Not a clue. All we know for sure is it’s big, mean, and it can decapitate the Statue of Liberty from fifty paces. Which is rather intimidating.

What we do get told about are the potential victims: there’s Rob (Stahl-David), a close friend of Beth (Yustman). He’s leaving for Japan tomorrow, so everyone’s round his place to say farewell, with Hud (Miller) filming the festivities. But Beth storms out after a fight with Bob over her new fella. While he’s calming down, the room starts to shake. Then the lights go out. And Miss Liberty’s head lands outside. Cue bedlam.

Seen entirely through one handheld camera, Cloverfield takes a new angle on an established genre. Forcing us to confront the carnage, the visuals offer a uniquely visceral experience - a far cry from Blair Witch’s ineffective swear-fest. Our guide to this frenzied, first person fright-fest is Hud. Providing a humorous and sincere commentary, he anchors the audience as Rob strives to get back to Beth, who’s stuck on the other side of the town formerly recognisable as Manhattan.

All of the cast are equally unknown, the actors’ anonymity bringing an extra sheen of immediacy to the terror. The only one you’ll recognise is Marlena (Caplan) - Janis from Mean Girls. They frantically skirt the edges of the rubble-strewn streets, heading for Central Park via teetering skyscrapers, collapsing bridges and shadowy metro tunnels. Constantly in the shadow of a nameless threat, they only pause to catch their breath or turn on the camcorder’s night vision. When the latter happens, you’ll wish it didn’t. In fact, you may never need laxatives again: at times, Cloverfield scares the crap out of you.

VERDICT

Exhilarating and petrifying, Cloverfield is one big shot of adrenaline to your eyeballs. As Janis might say, it’s so totally fetch.
 

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