Alice in Wonderland

Oddly soulless, Alice in Wonderland is an uneven piece of wacky film-making. It should be up there with Lord of the Rings. Instead it's hanging around with Prince Caspian.

The Girl with the Dragon Tattoo

The Girl with the Dragon Tattoo is gripping and unsettling stuff. A cold blast of Scandinavian class.

Shutter Island

With striking shots & reverberating visuals, Shutter Island is a perfectly predictable B-movie. It's just a shame it lasts two and a half hours.

Green Zone

Greengrass is great at asking accurate questions, but Green Zone is better at just blowing stuff up.

From Paris With Love

From Paris with Love is perfect popcorn fodder - dumb, diverting and surprisingly not dreadful.

The Crazies

Nowt special but The Crazies gives you good scares for your money. And a lot of Timothy Olyphant. He's good for your money too

Capitalism: A Love Story

A rousing call to arms, Capitalism: A Love Story shows Moore is still as polemic & provocative as ever

Solomon Kane

Solomon Kane is small in scale but large in ambition; what it lacks in originality it makes up for with bucket-loads of blood.

The Lovely Bones

With its syrupy score and saccharine script, The Lovely Bones is horribly bloated. It's like having a fat kid sit on your face for two and a half hours.

Crazy Heart

With a stellar, sincere starring role, Crazy Heart is a gentle and moving piece. Proof once and for all that Jeff Bridges makes anything brilliant. Even Country and Western music.

A Single Man

A Single Man matches its polished surface with a sorrowful and deep undercurrent. Simply gorgeous cinema.

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With striking shots & reverberating visuals, Shutter Island is a perfectly predictable B-movie. It just lasts over 2 hours. http://3.ly/bB5r
"It's the 1st dress in Woolwich & New Hampstead with a triple pleated collar". How do they ever cop off with such bad flirting? #BrightStar
You know when you come home & you find a gloriously sticky donut waiting for you? For those don't, I assure you: it's fricking AWESOME.
RT @DCPlod In Alice, they keep calling the monster a Jabberwocky, but it's a Jabberwock. Jabberwocky's the name of the damn poem - seconded!
Greengrass is great at asking accurate questions, but Green Zone is better at just blowing stuff up http://3.ly/1RPw
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Home Reviews Cinema Precious: Based on the Novel Push by Sapphire
Precious: Based on the Novel Push by Sapphire Print E-mail
Written by Ivan Radford   
Friday, 29 January 2010 17:30
Director: Lee Daniels
Cast: Gabourey Sidibe, Mo'Nique, Paula Patton, Mariah Carey, Lenny Kravitz
Certificate: 15

Life is hard when you come from a broken home. Especially one where your mum ritually beats you, your dad raped you and you're vastly overweight. For Precious (Sidibe), this is life. Then, to top it all off, she discovers she's pregnant with her father's baby again. So she gets kicked out of school and into 'alternative' education, where she can become an educated woman - all is not lost, it seems, because she's good at Maths. Can you feel your heart warming yet?


It may take a while, but those strings are already being tugged from the film's opening frame. As Precious gets bullied in the street, her face shoved into the mud, she daydreams of being famous - a star. Cutting away to flights of fantasy, Lee Daniels is keen to show us the hopes of our young protagonist. The hopes that are repeatedly crushed by a mother (Mo'Nique) who chases her up the stairs with a frying pan and hurls abuse at her in between eating bits of chicken. But just when all happiness is lost, in steps socially conscious teacher Ms Rain (Patton). She's a moral icon who encourages Precious to read and write down what she feels. She's also sexy and thin. Still not feeling those heartstrings?


The problem with Precious is that it can't shake its Oscar nomination; playing on sentimental dramatic cliches (and sidestepping weight issues), it all feels a bit derivative - perhaps unfairly so. The performances by Gabriel Sidibe and the wonderfully malicious Mo'Nique are undeniably affecting, but it reeks just a tad of awards baiting. It doesn't help that every time Geoffrey Fletcher's screenplay steps into a classroom, it suddenly turns into Sister Act 2 - one student ribs another for confusing the words "incest" and "insect", laughing out loud. Wasn't that a serious source of trauma 10 minutes ago?


It's an odd jump in tone, which must come down to an attempt at being positive and life-afflirming. All that Oscar-friendly stuff. But all it does is blunt the impact of a harrowing and well-acted story. Let's not even talk about Mariah Carey's turn as a social worker. Or the fact that Oprah Winfrey's name is all over the end credits.


VERDICT


Put-upon and pushed right down, Precious' story is powerful, moving stuff. Exactly what Oprah Winfrey would have wanted.

 

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