Alice in Wonderland

Oddly soulless, Alice in Wonderland is an uneven piece of wacky film-making. It should be up there with Lord of the Rings. Instead it's hanging around with Prince Caspian.

From Paris With Love

From Paris with Love is perfect popcorn fodder - dumb, diverting and surprisingly not dreadful.

Everybody's Fine

This cheesy remake of Stanno Tutti Bene makes Tornatore's soppy original look like The Godfather

The Crazies

Nowt special but The Crazies gives you good scares for your money. And a lot of Timothy Olyphant. He's good for your money too

Capitalism: A Love Story

A rousing call to arms, Capitalism: A Love Story shows Moore is still as polemic & provocative as ever

Solomon Kane

Solomon Kane is small in scale but large in ambition; what it lacks in originality it makes up for with bucket-loads of blood.

The Lovely Bones

With its syrupy score and saccharine script, The Lovely Bones is horribly bloated. It's like having a fat kid sit on your face for two and a half hours.

Crazy Heart

With a stellar, sincere starring role, Crazy Heart is a gentle and moving piece. Proof once and for all that Jeff Bridges makes anything brilliant. Even Country and Western music.

A Single Man

A Single Man matches its polished surface with a sorrowful and deep undercurrent. Simply gorgeous cinema.

Oscar Nominations

No Moon, no Road, no (500) Days of Summer. But we do have The Blind Side up for Best Picture. I blame Sandra Bullock. For everything.

The Princess and the Frog

With fun music and an engaging cast, The Princess and the Frog regains Disney's soul after it was sold for CG farm animals & a shiny Mac

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Home Reviews Cinema The Princess and the Frog
The Princess and the Frog Print E-mail
Written by Selina Pearson   
Friday, 05 February 2010 14:15
Directors: Ron Clements and John Musker
Cast: Anika Noni Rose, Bruno Campos, Keith David
Certificate: U

When Disney got sucked into CG animation with the rest of the studios, it was looking like the death of hand-drawn stories. Aside from Studio Ghibli, everyone had all but abandoned this beautiful art-form. But lo, even in the wake of Avatar 3-D, hand-drawing has been resurrected by Disney with this joyous New Orleans Jazz fest. Hurrah!


A hard-working ambitious heroine, who is NOT seeking her true love (for once), Tiana (Rose) is working two jobs in order to save enough money to start her own restaurant (does a 5-year-old know what an entrepreneur is?). Meanwhile, royal waste of space Prince Naveen (Campos) has been cut off by his parents (for undisclosed reasons), and shows up in New Orleans to find a rich wife so he doesn’t have to do any of that tedious work stuff.


Tiana’s wealthy air-head best friend, Charlotte, has her heart set on marrying a prince, so Naveen’s appearance in New Orleans is fortuitous. Enter the Shadowman, Dr Facilier - the villain of the piece. Of course, the bad guy has to do some meddling (after all, what are bad guys in Disney films for?) and so the prince gets turned into a frog. Wackiness ensues. Due to a bizarre series of events, we end up in the bayou with a couple of frogs with identity crises, a genius jazz-loving alligator and a Cajun firefly, who isn’t quite all there.


An American fairytale with a happy, if hokey, ending, Disney have done again what they do so well, producing an inspiring lead and a crackpot supporting cast. It’s probably no coincidence that John Lasseter, who is in part responsible for re-opening 2-D studios at Disney, also brought the Ghibli films to Western mainstream audiences.


VERDICT


With a fun soundtrack and engaging characters, Disney regains its hand-drawn soul after selling it for CG farm animals and a shiny Mac. Enjoy it, but don’t get any ideas, kids - kissing frogs gives you salmonella.

 

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