The A-Team

A two-hour long montage, The A-Team tries to bust one too many blocks. It's not the best, but ridiculous? Yes. Fun? Yeah, that too.

The Karate Kid

The Karate Kid is family friendly, heart-warming stuff. Especially the bit where Jackie Chan beats up a load of school kids.

Gainsbourg

More a series of vignettes than a conventional biopic, Gainsbourg captures your attention and then fills your head with stylish distractions. Like puppets. And animation. And breasts.

Toy Story 3

Pixar provide a note-perfect end to a phenomenal trilogy. Toy Story 3 is a triumph of modern animation.

Cutting Culture, Not Cost

Farewell to the UK Film Council - Mike Leigh calls Jeremy Hunt's decision "totally out of order". He's not totally wrong.

Inception

Impossible. Intelligent. Incredible. Inception is a 5 star film that dazzles as much as it boggles.

Splice

Terrifying and gross, Splice gives its horrible theme a twisted heart. As disturbing as it is fascinating.

Twilight: Eclipse

Over-acted but not over-long, Eclipse is a step up from New Moon. This trashy horror romance has rediscovered something vital: a pulse.

Brief Encounters: The A-Team

"The Dead Sea Scrolls are hilarious!" - we love it when a press conference comes together.

Predators

Modern yet retro, Predators is the perfect fan-made beast: trashy, dumb and deliriously fun.

Leaving

Kristin Scott Thomas continues to prove herself one of the best bi-lingual actresses around – when she’s English she’s very good, and when she’s French she’s faultless.

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Home Reviews Cinema The Girl with the Dragon Tattoo
The Girl with the Dragon Tattoo Print E-mail
Written by Ivan Radford   
Friday, 12 March 2010 10:33
Director: Niels Arden Oplev
Cast: Noomi Rapace, Michael Nyqvist, Sven-Bertil Taube
Certificate: 18
Trailer

Thanks to Henning Mankell and Let the Right One In, Sweden is getting a reputation for its nasty sociopathic murders. What with its chequered nationalist past and wintry snow-filled regions, it seems more a fascinating tableau of literary horrors than a country. And now the first of the late Stieg Larsson's Milennium trilogy has reached our shores. And it's worked the same disturbing magic. The Girl with the Dragon Tattoo is a chilling plunge into Sweden's brutal climate.


Obviously, this is not the Sweden of the real world - its population would be vastly reduced by homicide if that were the case. This is a dark, brooding place where isolated landscapes and cold subway tunnels all add to the moody tension. There's no action-packed set pieces on show - this is a confident, old-fashioned thriller. One that moves slowly and deliberately, with a solid pace and strong rosta of characters.


Queen of them all is Lisbeth Salander (Rapace), computer hacker and security researcher, who soon finds herself helping disgraced journalist Mikael Blomkvist (Nyqvist) to investigate the murder of a wealthy businessman's niece decades before. Drawn into a web of family history and deceit, the hunt for the killer (whose victim disappeared in a locked-room scenario) feels almost like an Agatha Christie novel. But this is much harsher to take in.


Rape, misogyny and racism all come into play, taking the narrative away from its crime story and fleshing out its main female: as the Girl with the Dragon Tattoo, Noomi Rapace is enigmatic, assertive, and absolutely absorbing. And this is Larsson's triumph, so well translated to the screen: the compelling details of a young woman's life, cut through with horrific acts of sexual abuse.


Battling against her sadistic social worker, Lisbeth's shocking struggle is captivating to watch. And whenever she's in the frame, you won't want to look away. Even when she grabs a golf club. Or a dildo. Nyqvist is spot-on, too, as the wearied reporter trying to clear his name, leading a cast of excellent supporting actors. And with Niels Arden Oplev's strong eye behind the camera, this stylish thriller makes for a wonderful piece of cinema. You won't have seen anything quite like this before. The good news? There's two more on the way.


VERDICT


Elegantly adapted from Larsson's weighty work, The Girl with the Dragon Tattoo is gripping and unsettling stuff. A cold blast of Scandinavian class.

 

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