Terrifying and beautiful, this might well be the best film of 2012.
84 minutes of rhyming couplets? It sounds well annoying but I actually loved it.
Nice film, shame about the voiceover.
There's a mole at the top of The Circus. Can you bash its face in?
A superb anti-rom-com that breaks some cliches and obeys others, which only makes it more moving.
A devastating, magnificent film that trades almost solely in sex – and yet looks right through it.
Like Olivier and Branagh before him, Fiennes makes Shakespeare as gripping as it ever was. Verily, Voldemort did good.
Inspired by Jon Snow's role in Coriolanus, here are some other Shakespeare adaptations starring newsreaders.
After Benjamin Button and The Social Network, this feels like Fincher back in Se7en territory. Grizzled, haunting and beautiful.
As the BFI's season of Woody Allen films continues, we look back at some of the director's best (and worst) films.
A feel-good treat, pure and simple. You’ll swoon, you’ll sigh, you’ll want to tap dance.
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 Director: Tony Goldwyn Whenever someone lands on Go To Jail, you can always count on a relative to do something crazy like grab a gun and shoot up a courthouse. But the most dramatic way to bust your brother from behind bars? Devote decades to studying for a law degree and then becoming his defence attorney. It's all completely true - Conviction's story is based on real life. Which naturally makes it feel even more false.  Director: Tom Hooper Poor Bertie (Firth). He has to deal with something most of us hate: public speaking. He fluffs his way through a speech at a twin-towered Wembley, packed full of people for the closing ceremony for the Empire Exhibition. Not a good start for the King’s second son.  Director: Hideo Nakata Oh, the wonders of the Internet, which allows you to be who you want to be, say what you want to say, and do what you want to do. Presumably all of these young people wanted to make a bad film. Luckily, online chatrooms exist to bring to life their most vivid dreams. Like Facebook. Or Twitter. But written ten years ago.  Directors: Henry Joost, Ariel Schulman When people first heard of a Facebook movie, this is the kind of thing they imagined instead of David Fincher's award-friendly drama. But even they couldn't have expected such an unsettling and poignant piece of cinema.  Director: Joe Kosinski Ground-breaking is a word that gets thrown around like a frisbee these days. This sequel to Disney's 1982 effects-smashing Tron looks impressive enough to claim such a grand moniker, but it's duller than dunking a Digestive in a cup of lukewarm tea. Yes, it's shiny and yes, it's blue but the most accurate adjective here is soggy. If we're keeping with the biscuit analogies, that is.
 Director: Florian Henckel von Donnersmarck Florian Henckel von Donnersmarck. It takes a great name to attract stars from Hollywood's A-list. Ever since 2006's The Lives of Others, it was clear that the man christened Florian by the Henckel von Donnermarcks was destined for great things. This isn't one of them.  Director: Sofia Coppola Johnny (Dorff) is living the life of a Hollywood actor at full speed. But in between the booze, the parties and the endless sex, he's running on empty. He spends his ageing existence driving round and round in circles going nowhere. Literally. At least five times. Then Cleo (Fanning) enters his cluttered hotel room and things start to change gear.  Director: Julian Schnabel Director Julian Schnabel follows up his stunning 2007 film The Diving Bell and the Butterfly with Rula Jebreal’s autobiographical novel of her life in East Jerusalem. It interweaves the lives of four women, but doesn't come up with much of a tapestry.  Director: Daniel Alfredson
This week's most affordable way to watch high quality films at home like a poor person.
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