Back in September 2011, I watched a surprising indie fillum. It was all written in verse - and really quite striking. It was called Acts of Godfrey. And I rather liked it. It was fun and starred lots of folk off TV, like Harry Enfield, Simon Callow and Celia Imrie. I enjoyed the film so much, in fact, my Acts of Godfrey review's in rhyming couplets to match.

And now, you can catch the rhyming bug too because it's coming out in UK cinemas soon. This Friday, if you want to be really pedantic, but before you start worrying and getting all frantic, you can see it online (that stuff's all the rage) by visiting the Acts of Godfrey Facebook page.

An enjoyably dark play on fate and folly, the film turns its script into something quite jolly. Why? Not just because the cast is so good, but the director, Johnny Daukes, is talented to boot. He's a writer, musician and filmmaker, you see - he even had a series on BBC 3.

Here's what he said about making the movie when we spoke last September (he seemed very groovy). They shot the film quickly in a real life hotel and though things went wrong, it all turned out quite well. The full Johnny Daukes interview is over here - it includes clip and trailers that will really endear. 

Yes, after yesterday's epic trailer, there's ANOTHER video of The Girl with the Dragon Tattoo. This time, it's a video of the Dragon Tattoo press conference in Stockholm.

And once again, it's amazing that I'm still excited about seeing more of the film - even after watching a whole 8 minutes of the ruddy thing.

Talking to media folks in Sweden, David Fincher, Rooney Mara and Stellan Skarsgard spoke about the making of Fincher's Dragon Tattoo adaptation. Here are 5 things we learned from the Dragon Tattoo press conference:

1. Rooney Mara Is a Coat Hanger 

"My casting rules are simple," says Fincher. "You're looking for someone to hang a character on." 

2. Lisbeth Salander Is the Next Tony Hawks 

"I was thrown into it quite fast," Rooney Mara explains of her sudden casting as the novel's hacker heroine. "There was a lot of physical work... The motorcycle training. The skateboarding. The kickboxing." Skateboarding? If we get to see her pull a 50-50 grind and a heel-flip on the Stockholm streets, I am so there. (I'm also now hoping for a Tony Hawks-style video game franchise.) 

3. David Fincher Does 40 Takes of Each Shot

Stellan Skarsgard explains how the shoot lasted a whole year and why it felt like it went on forever. "When I met David, he said "This is not going to be fun." He went "I do 40 takes of each set up..." But when you work with David, you feel that you try to get further in each take." 40 takes of Swedish bum rape? That's pretty hardcore workmanship.

4. Sweden Is Exotic

"For me, it was in this exotic place..." says Fincher. All that Swedish bum rape has probably gone to his head.

5. There's a Bit of Lisbeth in All of Us

"That feeling of being marginalised or held back by people in a position of power," comments Mara, "people can relate to that." I certainly can. Well, that's my excuse for my tattoo of The Moomins, anyway.

Read on to watch the full video of the Dragon Tattoo press conference.

Whether you're Sir Laurence Olivier or a small boy blagging a job as third assistant director on a film set, the chances are that you have, at some point, been hopelessly in love with Marilyn Monroe. Even if you've never met her.

But not so for Simon Curtis. The BAFTA and Emmy-nominated director of Cranford, Pride and David Copperfield was never a die-hard Monroe fan. So why did he direct My Week with Marilyn, a film about the iconic sex symbol's attempts to act seriously in Olivier's conflict-filled production of The Prince and the Showgirl?

He rang me up yesterday morning to explain himself, and contribute to My Week with My Week with Marilyn by discussing Michelle Williams, Colin Clark's memoirs and the Oscar buzz surrounding his charming film.

Anonymous: a film is so ridiculous that it would be hard to take anything around it seriously.

Despite this, the Stratford crowd have gone crazy in advance of Roland Emmerich's Shakespeare-couldn't-actually-write drama, covering up the statue of old Bill and crossing out the Bard's name on pubs.

But unbeknownst to them, at the 55th BFI London Film Festival, there were far more shocking secrets being unearthed in screen 8 of the Vue West End.

Here are six scandalous rumours revealed at the Anonymous press conference: